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Andrew Thomas Kuster
Lessons With Hypatia (Piano-Vocal Score) By Andrew Thomas Kuster
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Lessons With Hypatia (hypatia-musical.com) is a musical tragedy by Andrew Thomas Kuster. This is the piano-vocal score.
The Soulless (Script) By Andrew Thomas Kuster
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The Soulless (soulless-musical.com) is a musical drama by Andrew Thomas Kuster. This is the script.
Lessons With Hypatia (Script) By Andrew Thomas Kuster
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Lessons With Hypatia (hypatia-musical.com) is a musical tragedy by Andrew Thomas Kuster. This is the script.
Lessons With Hypatia (Full Score) By Andrew Thomas Kuster
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Lessons With Hypatia (hypatia-musical.com) is a musical tragedy by Andrew Thomas Kuster. This is the full score.
An Atalanta Fugiens Coloring Book By Michael Maier
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A coloring book of 50 emblems taken from Atalanta fugiens: secretioris naturae secretorum scrutinium chymicum by Michael Maier (1596-1622), engraved by Johannes Theodorus de Bry or Matthäus... More > Merian, published by the heirs of Theodor de Bry, first published in 1617. The present volume omits the original music, discourses, and other text. Epigrams in Latin with English translations by Andrew Thomas Kuster.< Less
Geistliche Chor-Music By Heinrich Schütz
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Geistliche Chor-Music (SWV 369-397) by the great German early Baroque composer Heinrich Schütz (1585-1672) is a collection of twenty-nine motets for five (SSATB or SATTB), six (SSATTB), or seven... More > voices and optional basso continuo. This easy-to-read, scholarly edition by Andrew Thomas Kuster results from a painstaking reexamination of the original part books, printed in 1648. This edition puts Schütz's music in modern clefs, retains the original note values, includes English translations, and has keyboard reductions to simplify rehearsal. Incipits show original part names, clefs, time signatures, and ranges. The edition contains fifty pages of critical commentary, translations of Schütz's preface, and plates to aid study. Among the gems of this collection are Selig sind die Toten, Die mit Tränen säen, So fahr ich hin, and Das ist je gewisslich wahr. 328 pages. (This work is also commonly spelled Geistliche Chormusic or Geistliche Chormusik, by Heinrich Schuetz or Heinrich Schutz, edited by Andrew Kuster.)< Less
Stravinsky's Topology By Andrew Kuster
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Stravinsky's Topology is an innovative explanation of the music of the great composer Igor Stravinsky (1882-1971). Specifically, this book examines Stravinsky’s implementation of certain... More > twelve-tone row forms for particular formal events and to enhance the poetry in his later works with poetic texts. This book, reprinted from a doctoral dissertation, presents a new analytical method called Object-Oriented analysis to study Stravinsky’s smaller works "Epitaphium", "Anthem", "Elegy for J. F. K.", "Fanfare for a New Theater", and "The Owl and the Pussy-Cat". The remainder of this book is devoted to a detailed examination of Stravinsky’s expanded Object-Oriented compositional technique in "The Flood" and in his largest late work, "Threni". This investigation concludes with remarks about how a conductor can apply Object-Oriented analysis in performance. 216 pages.< Less
Der 116. Psalm By Heinrich Schütz
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Der 116. Psalm "Das ist mir lieb" (SWV 51) by the great German early Baroque composer Heinrich Schütz (1585-1672) is a setting of Psalm 116 in six sections for five voices (SSATB).... More > This easy-to-read, scholarly edition by Andrew Thomas Kuster puts Schütz's music in modern clefs, retains the original note values, includes English translations, and has keyboard reductions to simplify rehearsal. Incipits show original part names, clefs, time signatures, and ranges. The six sections of Schütz's Psalm setting are: Das ist mir lieb, Stricke des Todes, Der Herr ist gnädig, Sei nun wieder zufrieden, Ich will den heilsamen Kelch nehmen, and In den Höfen. 40 pages. (The name of the composer of this work is also commonly spelled Heinrich Schuetz or Heinrich Schutz, edited by Andrew Kuster.)< Less
Quid commisisti By Heinrich Schütz
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Quid commisisti (SWV 56-60) from Cantiones sacrae by the great German early Baroque composer Heinrich Schütz (1585-1672) is a collection of five motets for four voices (SATB) and optional basso... More > continuo. This easy-to-read, scholarly edition by Andrew Thomas Kuster results from a painstaking reexamination of the original part books, printed in 1625. This edition puts Schütz's music in modern clefs, retains the original note values, includes English translations, and has keyboard reductions to simplify rehearsal. Incipits show original part names, clefs, time signatures, and ranges. The titles of the five motets in this collection are Quid commisisti (SWV 56), Ego sum tui plaga doloris (SWV 57), Ego enim inique egi (SWV 58), Quo nate Dei (SWV 59), and Calicem salutaris accipiam (SWV 59). 36 pages. (This work is also commonly called Five Passion Motets or Fünf lateinische Passionsmotetten, by Heinrich Schuetz or Heinrich Schutz, edited by Andrew Kuster.)< Less