This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers.

In common with... More > the other CML books it doesn’t have the same structure as a “normal” film reference book.

The discussions have occasionally been edited for clarity and brevity.

They will sometimes ramble a little but that’s the nature of a conversation and some interesting information comes out in the process!

All views expressed are those of the posters, please join CML and take it up with them if you have a problem!

This book covers Lighting discussions during the period January 2001 to January 2005.. < Less

Discussions about the practical use of the RED One digital cinema camera

This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers.

As such it... More > doesn’t have the same structure as a “normal” film reference book.

The aim of CML is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. < Less

This is an introduction to 3D for camera department and production.

It's based on my experiences filming "Dark Country" and... More > the 3 years since then of films and commercials in 3D.

It is in no way meant to be a manual that will make you a stereographer.

it's a survival guide! < Less

Discussions about the practical use of the RED One digital cinema camera

This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers.

As such it... More > doesn’t have the same structure as a “normal” film reference book.

The aim of CML is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. < Less

This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers.

In common with... More > the other CML books it doesn’t have the same structure as a “normal” film reference book.

It covers discussions on High Definition between Janaury 2001 and November 2004.

The discussions have occasionally been edited for clarity and brevity.

They will sometimes ramble a little but that’s the nature of a conversation and some interesting information comes out in the process!

Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab Kinetta and Fujinon are among the companies represented. < Less

This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers.

In common with... More > the other CML books it doesn’t have the same structure as a “normal” film reference book.

The discussions have occasionally been edited for clarity and brevity.

They will sometimes ramble a little but that’s the nature of a conversation and some interesting information comes out in the process!

All views expressed are those of the posters, please join CML and take it up with them if you have a problem!

This book covers Lighting discussions during the period January 2001 to January 2005.. < Less