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ULTERIOR VISION(S)
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ULTERIOR VISION(S) By Ivan Argüelles
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The boundaries of time and form do not exist for Ivan Argüelles – they never have. While we’ve been occupied by the... More >
singular idea, trapped in a moment,
Argüelles has refused to play by the rules or even accept the need for the game. His poetry exposes that idea as the provisional, phony construct that
it is. Where most find chaos he discovers and sings sublime music. Earthy, psychedelic, profane, divinatory and sacred, these Ulterior Vision(s) are another distinct verse in
a song that began nowhere and never ends. Through the day after day practice of such poetry this poet is
living his work, an other life, an ulterior existence “in the electric dazzling we are.” - Jake Berry < Less
BOOK OF NUMBERS
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BOOK OF NUMBERS By Márton Koppány, Jim Leftwich
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Márton Koppány and Jim Leftwich’s Book of Numbers is a visual and conceptual collaboration exploring a “vocabulary of... More > correspondences” between letters and numbers. The result is a sequence of words, letters, numbers, patterns, lines, onions, leaves, cayenne peppers, and nails in wood. It all makes sense, or makes several senses, and the pleasure is in tracing those senses through the concepts and images they embody. < Less
THE GNAT'S WINDOW
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THE GNAT'S WINDOW By John M Bennett
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John M. Bennett’s The Gnat’s Window shows the evolution of a new form combining the textual, the oral, the visual, and... More > even the artifactual, as the pieces can be seen as windows, or televisions, or computer screens. The poems can be read left-to-right as traditional texts, or up-and-down, or in-and-out, or in any number of other configurations, and thus have participatory and even performative dimensions within what at first glance seems to be a closed form. They are “dreams’ doubled crust” indeed: shaped and emotional, conceptual and somatic, sparklingly clear, and enigmatic. < Less
The Great Wheel
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The Great Wheel By Edward Lense and Bruce Robinson
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Edward Lense has written a series of strong, personal poems on the metaphysical framework of a deck of Tarot cards, a... More > device, with its fascinating ambiguity and resonance, that serves his purpose remarkably well. The Tarot concepts work as a kind of I Ching-like throw of the coins to stimulate meditations on the poet’s life that are both passionate and fully guided. Accompanying these poems are drawings by Bruce Robinson, which have a roughness that speaks to the underlying torment in the poems, related at times to a kind of theological undertow that seems present in both. The Great Wheel seems to be a force of destruction and death, running through this work’s conscious or unconscious voices, and challenging the reader to confront a fuller understanding of what it means to be alive. As the poet says here, “Another body stirs inside my body,/its slow pulse not the beat of my heart but the tides,/a cloud of blood suspended in water.” < Less
BEEFSTEAK
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BEEFSTEAK By Paul Thaddeus Lambert
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(Full Color Cover designed by Tom Taylor)

Paul T. Lambert, The King of Inismo in America? The Secret Flood in Temple 13? Is... More > this His Charter? The New Constitution Laying Down the Form? His Autobiography? Yes it is yes it is yes it is yes it is. Distilled from esoteric links to All The Texts, this Tome surpasses them all; it is more intelligent, more illuminated, more cancerous, more fluvial, more shapely, more ineffable, more Smiling the Total Smile than whatever else you think you have “read”. Nothing will be the same, all praise to St. Lambert. Read every word here and then read them again. You are now “Elections officials in the wall… ,flot ,hat, heap ,hunt ,hack ,trump ,flist ,fan, fono ,flake Torture is…the drumbeat…obscenity charges…capitulated blood on the sand.” You will “buy some hangers”, “same closet gasping the”. Yes it is. Yes it is. Yes it is. Yes it is. < Less
confined (space).
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confined (space). By Sarah Ahmad
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Sarah Ahmad was born less then 25 years ago in India and is living now in Pakistan. She's created a small book of delicate... More > visual poetry using variations of brightness/darkness/contrast of a few photos with fascinating text layering effects and variations on mood. We see/read of a veiled woman living/working in a confined (space). Images are printed on their own page; the verso side is left blank to allow (space). You can also experience Sarah's textual poetry via a free PDF download provided by editor Jeffrey Side of Argotist E-Books- at http://www.lulu.com/product/ebook/closing-eyes-blazing-life/11599164 < Less
untitled poems for a wednesday evening.
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untitled poems for a wednesday evening. By peter ganick
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Here is a different Peter Ganick, whose newest poems, resoundingly philosophical, metaphysical in their musicality, become... More > more tangible, more directly shaped in a context more
intellectually quotidian than that of previous work. Boundaries created for these Wednesday poems, appropriately titled for middle-of-the-week realities, allow humor, reflection, human feeling, to a greater degree than Ganick’s recent, prior poems. The mind within and beneath these pieces is infinitely shimmering, even as the poet’s signature sotto voce consistently asserts itself. The word evidence comes to mind as I experience surprise, delight, and full engagement in the life of Peter Ganick’s newest and very welcome volume.
-Sheila E. Murphy < Less
Magnetic Poems
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Magnetic Poems By Matthew Stolte
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These clean, crisp-looking visual poems stand in contrast to Matthew Stolte’s recent work which makes much use of smeared... More > paint and ink, partial forms, layerings, and other devices to create a veritable storm of lettristic forms and words. In these Magnetic Poems the colorful letter-forms are stable as found, and merely arranged on galvanized metal sheets. There is, however, an inherent instability in the original pieces, in that anyone could move the magnetic letters around. So this book can be seen as a moment stopped in time, as these pieces no doubt look different today. Because even moving them around is likely to jostle their arrangement. Thus this book is a talisman to the inherent protean nature of poetry and of the language of which it is made. -John M. Bennett < Less
WHAT IT SAYS
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WHAT IT SAYS By C Mehrl Bennett
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C Mehrl Bennett's background is in the fine arts; B.A. in painting and drawing; with an exhibit history from the 80's and... More > early 90's that focused on sculptural junk assemblage and installations. In an effort to revisit 2-dimensional art, she has found her creative spirit with today's digital software tools, combining her artistry with a longtime interest in visual poetry. This book includes text-only versions of many works found at www.flickr.com/cmehrlbennett, including word art published in Lost & Found Times, Vispoeology (Minneapolis Center for Book Arts), Otoliths, and numerous e-zines including www.wombpoetry.com and www.nakedsunfish.com. < Less
Words & Junk
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Words & Junk By C Mehrl Bennett
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This book is PRO FOUND and PRO FUN! C. Mehrl Bennett comes from a fine arts background; B.A. in painting and drawing, spent... More > many years as a mail artist, and has an art exhibit history from the 80’s and early 90’s that focused on junk assemblage (found objects- thus the claim for PRO FOUND). This work in this book combines her creative spirit of play using digital software with a longtime interest in visual poetry and includes collaborations (in the spirit of mail art). C. Mehrl Bennett lives in Columbus, OH, with spouse (they met through mail art), poet John M. Bennett. Her word art has been published in Lost&Found Times, Vispoeology, Otoliths, www.nakedsunfish.com, Womb, Word For/Word, and Black Box. < Less
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