Lucine Kasbarian—Perspectives From Exile

Name: Lucine Kasbarian—Perspectives From Exile
SKU: 1q5g6jm4
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"Kiss the Ground" is a six-part exhibition series that examines and celebrates contemporary Armenian art, one hundred years after the 1915 Armenian Genocide. "Lucine Kasbarian—Perspectives from Exile" is the 6th exhibit in the Kiss the Ground exhibition series. It examines the political cartoons of Lucine Kasbarian, who's work unflinchingly chronicles the intergovernmental relationship between Armenia, Turkey and the United States of America, the history of the Armenian Genocide, and the persistent denial of those crimes against humanity of over one hundred years ago. Perspectives from Exile is the 6th catalog of 7 in the Kiss the Ground Publication series.

Détails

Date de publication: Nov 29, 2015
Langue: English
Catégorie: Art & photographie
Copyright: Tous droits réservés - Licence de copyright standard
Contributeurs: Par (auteur): Todd Bartel, Par (auteur): Lucine Kasbarian

Caractéristiques

Pages: 110
Type de reliure: Livre à couverture souple Livre à couverture souple
Couleur de l’intérieur: Couleur
Dimensions: Carré (8,5 x 8,5 po / 216 x 216 mm)

Mots-clés

Kiss the Ground A New Armenia Thompson Gallery Armenian Museum Armenian Genocide 1915 Social Justice Lucine Kasbarian

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À propos de Todd Bartel

Todd Bartel founded the Thompson Gallery at The Cambridge School of Weston (CSW) in 2007—a teaching gallery dedicated to thematic inquiry, offering three differing vantages of the selected topic throughout the school year. Bartel has curated 50 exhibitions since the gallery's opening and has recently been working with museum collections. In November of 2021, the artist-curator selected work for a small exhibition at Knoxville Museum of Art, Knoxville, TN, showcasing the museum's uncollages, which were included in their Currents exhibition. He has also worked with museum collections at the Ogden Museum of Southern Art (New Orleans, LO), the Art Complex Museum (Duxbury, MA), and the Henry Sheldon Museum (Middlebury, VT). He has published six articles on his "uncollage" concept in Kolaj magazine, including Defining Uncollage (Kolaj #25), Before It's An Uncollage (Kolaj #26), Uncollage In Photography and Filmography (Kolaj #27), Collection Is Cohesion (Kolaj #28), The Third Thing is Immaterial (Kolaj # 34), and Currents—Uncollage Premieres at the KMA (Kolaj #35). Bartel teaches drawing, painting, collage, and conceptual art at CSW, where he has taught for 25 years. Unconnected Yet is Bartel's first international exhibition, which is now a traveling show.

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