Shadows In the Darkness

Focalisation is a problem of localisation...In these terms, focalisation becomes not the focal concept of photography, but instead, photographisation of the concept of focus... It is maybe this unclarity, which is spread throughout so many different local questions, disseminated onto non-focal grains – grains of metal, alchemical crystals of silver (even in digital photography), crusts of lights focalised in the pellicula of event (film as event exists even though there is no printed photo) – through which Kerem projects the problema (that Greek shield becoming sometimes a semi hollowed digital camera with a hand holding the lens separate from the body, sometimes a digital camera which touches glowing lens or vice versa) of focalisations in order to make possible once again the reflection of what photography reflects us to think: the writing of light, that is, an act of Being, even the act of Being as light-being.