Poetry Of the hundreds of contemporary Persian poets (classical and modern) notable figures include : Mehdi Akhavan-Sales, Simin Behbahani, Forough Farrokhzad, Bijan Jalali, Siavash Kasraie, Fereydoon Moshiri, Nader Naderpour, Sohrab Sepehri, Mohammad Reza Shafiei-Kadkani, Ahmad Shamlou, Nima Yushij, Manouchehr Atashi, Houshang Ebtehaj, Mirzadeh Eshghi (classical), Mohammad Taghi Bahar(classical), Aref (classical), Parvin Etesami (classical), and Shahriar (classical) out of hundreds of poets. Modern Persian poetry Nima Yushij is considered, quite rightly, the father of modern Persian poetry, introducing a whole bundle of techniques and forms to differentiate the modern from the old. Nevertheless, the merit of popularizing this new literary from within a country and culture which is solidly based on a thousand years of classical poetry, goes to his few disciples. Ahmad Shamlou stood tall amongst that new generation who adopted Nima's methods and restlessly tried new undiscovered domains of modernism in poetry. The transformation of Persian poetry brought about by Nima Youshij, untying it feet from the fetters of the prosodic measures, was a turning point in the long tradition of our poetry. It opened a huge vista in the perception and thinking of the poets that came after him. Nima offered a different understanding of the principles of classical poetry. His artistry was not confined to removing the need for a fixed length hemistich and dispensing with the tradition of rhyming. Above, and overseeing these changes, and going beyond altering the formation of the old poetry, he was focusing on a broader structure and function based on a more contemporary understanding of human and social existence. His aim in renovating poetry was to commit it to a natural identity and also to achieve a modern discipline in the mind and linguistic performance of the poet. Nima rightly recognized that the formal and literal technique dominating classical poetry interfered with its vitality, vigor and progress. Although he accepted some of its aesthetic properties and extended them in the new poetry writing, he never ceased for a moment to widen his poetic experience by emphasizing the singular distinction of this art, and in returning a natural order to it. What Nima Youshij founded in contemporary poetry, which confirmed an entire era in the conviction that the traditional order of poetry could be challenged, his creative successor, Ahmad Shamlou, kept in our horizon by impart