“Hold Me, Damn It, Just Hold Me!” by Ali Foumani takes flight on the wings of “The Siberian Crane” by the same author. This play is an unavoidable metamorphosis from monologue to dialogue, a point where solitary voices move toward one another and transform into conversation. The characters react to enforced silence and systematic erasure by invoking the silenced. They engage with the absent, fight against forgetting, and revive erased memories within the space. “Hold Me, Damn It, Just Hold Me!” is a dialogue with dialogue itself. It’s a remembering of remembering.