Content Advisory This collection contains a chapter with sexual content unsuitable for those under 18. Violence: Graphic depictions of a mass shooting, suicide attempts, institutional corporal punishment, racial tension, lynching, self-harming, male-on-male sexual violation, and permanent injury. Child Abduction and Endangerment: Stories of innocence stolen, held in hidden lairs or ethereal voids, with echoes of captivity’s isolating terror. Ritualistic Abuse: Depictions of methodical cruelties — physical, emotional, and spiritual violations — cloaked in ceremony, stripping dignity like frost from a fragile bloom; including moments of forced vulnerability and exposure that underscore the raw humiliation of control, without sensuality or intent to arouse. Supernatural Horror: Encounters with the beyond — hauntings that infest homes like weeds in a garden, possessions that hollow the self like wind through empty halls, witchcraft, satanism, and alien abductions that rend the 'Anthologia (Volume 2)' unites two powerful collections — 'Sparrows In His Hands' (previously entitled 'On Wings Of Truth & Other Stories') and 'The Borrowed Steed: When God Rides In On Four Legs' — into a single, unflinching pilgrimage from cultural fracture to redemptive grace. Twenty-four short stories in 'Sparrows In His Hands' lay bare the fault lines of our age: antisemitism, gender ideology, tribal rage, abortion’s silent grief, the church’s hidden wounds, and the demonic shadows that creep through sacred halls. Ordinary families stagger under modernity’s weight, yet discover that even in the chaos, Christ’s light still breaks through the cracks. Then, in twelve vivid narratives gathered as 'The Borrowed Steed: When God Rides In On Four Legs': when human hope falters, God sends improbable horses — Justice, Manoeuvre, Hurricane, Liberty, Thunder, Beauty, and more — each a living parable of pursuit. From Alaskan blizzards to Sarawak’s padlocked churches, from shark-maimed influencers to October 7 survivors, from lockdown suicides to military trauma’s long echo, these loaned steeds carry the broken toward healing, proving that divine mercy often arrives with mane and muscle, hoofbeats pronouncing what words alone cannot. Together, these thirty-six stories form a testament: in a world of borrowed time and borrowed grace, God still borrows the unlikely to carry His children home.