Training Nature: Transforming Reduction to Multi-plate Prints

The purpose of the research was to revisit the process of carving the block and apportion more time in the studio to printing; to explore colour’s interdependence between static and active as an expressive form of perceptual dynamism. By remixing in colour, in three beats, in five beats, seven beats, twenty-four beats, the research led to new print-making idioms re-interpreted by post-production in music-making, generating a new methodology to my artistic practice.